Tag Page OnThisDay

#OnThisDay
LataraSpeaksTruth

On December 11, 1917, before sunrise, the U.S. Army carried out one of the harshest mass executions in its history. Thirteen Black soldiers of the 3rd Battalion, 24th Infantry Regiment were hanged at Fort Sam Houston after the first court martial linked to the Houston Riot of August 1917. The men had been stationed at Camp Logan in segregated Houston, where Black soldiers faced constant harassment from police and white residents. Tension boiled over after a Black soldier was assaulted and arrested, and confusion inside the camp led many to believe that an armed white mob was on the way. Fear clashed with hostility, violence broke out, and several people were killed. When the trials began, more than one hundred Black soldiers faced charges in what became the largest court martial in U.S. Army history. Legal counsel was limited, testimony often conflicted, and the system allowed almost no room for appeal. Before dawn on December 11, thirteen men were executed in secret. Their families were not notified, and they had no chance to seek clemency. Their names were James Wheatley, Charles Baltimore, William Brackenridge, Thomas C. Hawkins, Carlos J. Rivers, Jesse Moore, Albert D. Wright, Nels P. Christensen, William C. Nesbit, James Divine, Clyde Sneed, Frank Johnson, and Pat MacWhorter. Two more court martials followed, bringing the total number of executed soldiers to nineteen. For decades the full story was reduced or distorted, but historians and communities kept pressing for truth. In 2023, the Army finally vacated all the convictions and acknowledged that the trials had been unjust and shaped by racial discrimination. Remembering this date means facing the reality of what happened and honoring the men whose service was met with unequal justice at home. #BlackHistory #OnThisDay #HoustonRiot #24thInfantry #MilitaryHistory #AmericanHistory #NewsBreakCommunity

LataraSpeaksTruth

Obba Babatundé Born on This Day in 1951

From Broadway stages to classic films, he built a career defined by range and longevity. On December 1, 1951, Obba Babatundé was born in Queens, New York. His path from a kid with talent to a nationally respected actor shows what happens when discipline and versatility work hand in hand. He began in local performances and quickly stood out as someone who could master any role placed in front of him. Audiences on Broadway watched him rise in the original production of Dreamgirls where he played C. C. White. The role earned him a Tony Award nomination and made it clear that he belonged in the ranks of top stage performers. His work reached well beyond the theater. Babatundé became a recognizable force in film and television, taking on roles that required both emotional depth and sharp comedic timing. One of his most memorable pop culture appearances came in the movie How High where he played Dean Cain, the stressed and uptight administrator shocked by the chaos unfolding around him. It was a small role but the impact was immediate. His delivery, presence, and comedic control added another layer to the film and showed how effortlessly he could shift from drama to humor. Babatundé built a career rooted in dedication, heritage, and range. His birthday marks the rise of a performer who continues to influence stages, screens, and generations of actors who follow after him. #ObbaBabatunde #OnThisDay #BlackHistory #EntertainmentHistory #Dreamgirls #HowHigh #FilmAndStage #ActingLegend #NewsBreakCommunity

Obba Babatundé Born on This Day in 1951
LataraSpeaksTruth

Mob Attempts Lynching Near the U.S. Capitol (1909)

In October 1909, a mob surrounded a Washington, D.C. jail demanding that officers hand over a 26-year-old Black man named Walter Ford, who had been accused of a crime near Landover, Maryland. The mob grew to more than one hundred people and camped outside through the night, armed and ready for violence. Police calmed the situation by promising to turn Ford over in the morning, but when daylight came, the mob had dispersed and Ford was never surrendered. This attempted lynching, just blocks from the U.S. Capitol, revealed how deeply racial violence had spread across the country, even in the nation’s capital. It serves as a reminder that equality under the law was still an unfulfilled promise for many Black Americans at the time. #OnThisDay #BlackHistory #AmericanHistory

Mob Attempts Lynching Near the U.S. Capitol (1909)
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January 1, 1931 marks a quiet but serious turning point in American history. Charles Hamilton Houston becomes vice-dean of Howard University School of Law and almost immediately reshapes it into something more than a classroom. He builds a legal training ground with a single purpose: strategy. Houston understood that segregation would not fall simply because it was unjust. It would fall only if it could be proven unconstitutional. So he trained lawyers to work with discipline and precision, to identify weaknesses in the law, document inequality in detail, and build cases strong enough to force the courts to act. This was not protest law. It was methodical law. Students were sent into the South to gather evidence, photograph conditions, interview communities, and expose how “separate but equal” failed in practice. Houston demanded excellence because he knew the stakes. Courts move slowly and only when the record leaves them no alternative. That strategy later became the legal foundation for cases like Brown v. Board of Education. Lawyers such as Thurgood Marshall did not emerge by chance. They were shaped by years of deliberate training and long-term planning. January 1, 1931 reminds us that some of the most important changes in history do not arrive with noise. They begin quietly, in classrooms, with patience, discipline, and a clear understanding of how power actually works. #January1 #OnThisDay #AmericanHistory #LegalHistory #HowardUniversity #CivilRightsHistory #BlackHistory #LongGame #QuietPower

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Born December 8, 1868, Henry Hugh Proctor entered the world just as Reconstruction was slipping away. The promises were fading, the tension was thick, and yet he grew into a leader who insisted that hope could be rebuilt if people were willing to do the work. Proctor did not simply become a minister. He became a community strategist, the kind of pastor who believed that faith without structure and support was just noise. When he stepped into leadership at Atlanta’s First Congregational Church, he treated the space like fertile ground. He preached, yes, but he also organized libraries, a gym, job assistance programs, cultural clubs, safe housing for young Black women, and music programs that strengthened spirits in a city determined to limit Black opportunity. He built a full-life resource center long before that phrase existed, proving that the church could be both sanctuary and engine. Proctor helped co-found the National Convention of Congregational Workers Among Colored People, creating a network for Black ministers who were pushing for progress in their own communities. After the violence of the 1906 Atlanta massacre, he worked on interracial committees that aimed to cool the hostility poisoning the South. He did this quietly, intentionally , and with the kind of steady courage that often goes unnoticed by history books. He was not chasing spotlight. He was shaping lives. His influence stretched far beyond his pulpit, carried in the people who found safety, dignity, and opportunity through the institutions he helped build. December 8, 1868 marks the birth of Henry Hugh Proctor, pioneering minister and committed community reformer. #HenryHughProctor #BlackHistory #OnThisDay #CommunityBuilder #AtlantaHistory #ReconstructionEra #FaithAndJustice #UnsungHeroes #AmericanHistory

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Born in 1942, Marlena Shaw came out of the jazz tradition sharp, politically aware, and unapologetically Black in her sound and subject matter. She could swing with the best of them, but she also spoke directly to the conditions of the time. Songs like Woman of the Ghetto didn’t whisper social commentary…they stated it plainly. Poverty, neglect, dignity, and survival weren’t metaphors in her music. They were facts. Then there’s California Soul…a song that somehow managed to be joyful, defiant, and timeless all at once. It became an anthem not because it chased trends, but because it captured a feeling that never left. Decades later, hip hop heard what jazz heads already knew. Marlena Shaw’s voice had weight. Her phrasing had attitude. Her tone carried authority. That’s why her work has been sampled by generations of artists who recognized the power embedded in her sound. She existed in that sacred space between jazz, soul, and social consciousness. Never overexposed. Never watered down. Just solid. Just real. Marlena Shaw didn’t need chart domination to leave fingerprints on the culture. She left echoes instead…and echoes last longer. Her passing on January 19 feels less like an ending and more like a reminder. Some voices don’t fade. They circulate. They resurface. They keep teaching new listeners what substance sounds like. Rest well to a woman who sang with purpose and never begged for permission. #MarlenaShaw #CaliforniaSoul #WomanOfTheGhetto #JazzHistory #SoulMusic #MusicLegacy #SampledNotForgotten #OnThisDay #GiveHerHerFlowers

LataraSpeaksTruth

Browder v. Gayle on November 13: The Case That Broke Bus Segregation but Revealed Deeper Fault Lines

On November 13, 1956, the United States Supreme Court upheld a federal ruling in Browder v. Gayle, a decision that struck down Alabama’s bus segregation laws and reshaped public transportation practices in Montgomery. The case was built on the earlier arrests of Aurelia Browder, Claudette Colvin, Susie McDonald, and Mary Louise Smith, four Black women whose experiences formed the legal foundation of the challenge months before Rosa Parks became widely recognized. Their involvement secured a critical breakthrough, but their stories were pushed to the margins for decades due to concerns about how the public would judge their age, backgrounds, or personal circumstances. Even after the legal victory, the reality on the ground was far more complicated. Some Black riders faced harassment from bus drivers, intimidation from segregationist groups, and increased police surveillance in their neighborhoods. Local officials delayed enforcement, and white citizens’ councils organized resistance campaigns meant to discourage further challenges to entrenched customs. Browder v. Gayle ended the legal mandate for separation on buses, yet the backlash made it clear that changing a law did not change the hostility aimed at those who demanded equal treatment. The decision shifted policy, but daily life revealed how long it would take for the community to feel the impact of that victory. #BlackHistory #OurStory #HiddenHistory #FullContext #OnThisDay #NewsBreakCommunity

Browder v. Gayle on November 13: The Case That Broke Bus Segregation but Revealed Deeper Fault Lines
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Geto Boys Drop Da Good, Da Bad & Da Ugly… The South Spoke Loud

On November 17, 1998, the Geto Boys came back with Da Good, Da Bad & Da Ugly, a project carved straight out of the Southern hip-hop landscape they helped build. Houston had already claimed its voice thanks to them… raw, unfiltered, and unapologetically Southern, but this album showed the world that the South wasn’t a “side conversation” anymore. It was the main stage. The album held that signature Geto Boys energy… dark storytelling, sharp social commentary, and the kind of life observations you only get from people who’ve seen both sides of the street. Even with lineup changes, the crew held on to what made them legendary in the first place… honesty, edge, and a refusal to water anything down for mainstream comfort. By the late ‘90s, hip-hop was shifting fast, but the Geto Boys reminded everybody that Southern rap didn’t need approval to be iconic. They were already stamped. Already respected. Already shaping the direction of a whole region. Da Good, Da Bad & Da Ugly stands as one of those albums that marks a moment… the South saying “we’re here, we’re staying, and we’re not taking our foot off nothing.” #HipHopHistory #GetoBoys #SouthernRap #HoustonLegends #OnThisDay #BlackMusicHistory #LataraSpeaksTruth #CultureStories #Lemon8Creator #1998Vibes

Geto Boys Drop Da Good, Da Bad & Da Ugly… The South Spoke Loud
LataraSpeaksTruth

Edward Brooke’s journey didn’t begin with a viral moment or a spotlight. It began at Howard University, where he earned his undergraduate degree in 1941 at a time when Black excellence was expected to survive quietly, not be celebrated. Howard wasn’t just a campus. It was a proving ground for minds forced to understand systems never designed for them. Brooke left with discipline and direction, then stepped into World War II, serving as a U.S. Army officer and returning home with a Bronze Star and a sharper understanding of the country he was expected to serve. After the war, Brooke earned his law degree from Boston University School of Law in 1948. No shortcuts. No favors. Just credentials, patience, and persistence layered over experience. That steady climb carried him somewhere the system never expected him to land. In 1966, Edward Brooke became the first Black U.S. senator elected by popular vote. Not appointed. Not inherited. Voted in. By the people. In Massachusetts. His rise mattered because it wasn’t loud. It was deliberate. He didn’t break the system with spectacle. He forced it to acknowledge him through preparation and endurance. In a country built to block the stairs, he climbed them anyway. Step by step. Howard wasn’t the finish line. It was the foundation. And the rest of the story proves that history doesn’t always announce itself. Sometimes it shows up early, does the work quietly, and waits decades for the room to change. #OnThisDay #December11 #EdwardBrooke #HowardUniversity #BostonUniversityLaw #USHistory #PoliticalHistory #CivilRightsEra #BlackExcellence