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The Birth of Etta Jones, November 25, 1928

Etta Jones was born on this day in Aiken, South Carolina. She later moved to Harlem, where music was the heartbeat of the neighborhood and a young singer could grow into something special. That move shaped her sound and set the stage for the career she would build. Jones became a respected jazz and blues vocalist known for her warm tone and expressive phrasing. She had a style that felt effortless and lived in the middle ground between jazz smoothness and blues honesty. She stepped into recording in the late 1940s and built her voice through steady work, touring, and collaborations that kept her grounded in the traditions she loved. Her breakthrough came with the song Don’t Go to Strangers in 1960. The single reached a national audience and earned her a Grammy nomination. It also introduced new listeners to the depth of her talent and the kind of mature, lived in singing that set her apart. One of the most defining parts of her career was her long partnership with saxophonist Houston Person. They worked together for decades. Their chemistry created a catalog of albums that felt consistent and true to who she was as an artist. Many fans remember them as one of the strongest vocalist instrumentalist duos in modern jazz. Etta Jones continued recording and performing until the end of her life. In a moment that felt almost poetic, she passed away in 2001 on the same day her final album was released. Her legacy lives quietly but powerfully in jazz circles and in the voices of singers who followed her path. #OnThisDay #JazzHistory #EttaJones #LataraSpeaksTruth #AskNewsBreak

The Birth of Etta Jones, November 25, 1928
LataraSpeaksTruth

January 25, 1980 marks the launch of Black Entertainment Television, better known as BET. What began as a small cable experiment would grow into one of the most influential media platforms in American cultural history. BET was founded by Robert L. Johnson at a time when cable television was expanding, yet representation was scarce and often filtered through networks that were not built with Black audiences in mind. The channel initially aired just a few hours of programming per day, relying heavily on music videos, reruns, and public affairs content. It was modest by design, but intentional in purpose. The significance of BET’s launch was not about scale. It was about access. For the first time, a cable network centered Black voices, Black music, Black interviews, and Black stories as its core audience rather than an afterthought. It created a national platform for artists, journalists, comedians, and public figures who otherwise struggled for consistent visibility on mainstream television. Over time, BET evolved into a cultural gatekeeper. Shows like Video Soul, BET News, Rap City, and later award programs became reference points for generations. The network documented shifting musical eras, political conversations, fashion trends, and social debates as they unfolded in real time. BET did not just reflect culture…it archived it. While the network has faced criticism and controversy across different eras, its existence changed the media landscape permanently. BET proved that Black-centered programming was not niche, not temporary, and not optional. It was viable, influential, and deserving of space. January 25, 1980 stands as more than a launch date. It marks a moment when representation moved from limited windows to a dedicated channel, setting a precedent that reshaped cable television and cultural storytelling for decades to come. #OnThisDay #January25 #BET #MediaHistory #TelevisionHistory #CulturalHistory #BlackMedia #EntertainmentHistory #AmericanHistory